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	<title>Mollye Bendell</title>
	<link>https://mollyebendell.com</link>
	<description>Mollye Bendell</description>
	<pubDate>Tue, 26 May 2026 16:00:36 +0000</pubDate>
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		<title>Daughter</title>
				
		<link>https://mollyebendell.com/Daughter</link>

		<pubDate>Tue, 26 May 2026 16:00:36 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

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		<description>DaughterD




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Python application. 2026.</description>
		
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		<title>We Live a Little While</title>
				
		<link>https://mollyebendell.com/We-Live-a-Little-While</link>

		<pubDate>Tue, 27 Jan 2026 20:34:51 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

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		<description>We Live a Little While
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"We Live a Little While" is a solar-powered computer that uses self-defeating architecture to generate a portrait of the artist – crawling the internet for images which amplify, but ultimately dilute, a core dataset over time with likely matches.


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		<title>how to breathe underwater</title>
				
		<link>https://mollyebendell.com/how-to-breathe-underwater</link>

		<pubDate>Wed, 15 Nov 2023 18:53:39 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

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how to breathe underwater
 
Prints. Virtual reality experience.

This body of work consists of a series of prints and a related virtual reality (VR) experience that use underwater photogrammetry to explore monumental decay. The source material is the sunken ships of Mallows Bay, Maryland - the so-called Ghost Fleet. The work is made from the fragmented 3D-scans of these shipwrecks taken underwater. The resulting forms oscillate between the recognizable and the abstract, simultaneously disorienting and inviting.

About the site
Mallows Bay, Maryland is home to the largest ship graveyard in the Western hemisphere. During World War I, the United States rushed to build extra ships, but the war ended before they were used. The Ghost Fleet ships never left harbor or saw action. Ultimately, they were salvaged for metal, burned to the waterline and sunk in Mallows Bay. Their rotting wooden skeletons made an ideal habitat for local wildlife and in 2019 the area was designated as a national marine sanctuary by the NOAA.

The area is most accessible by kayak, during the summer. I use an underwater camera rig mounted to a kayak to capture footage of the space underwater. Through photogrammetry — the process of developing 3D models from 2D images — I have created new land/seascapes based on underwater footage of the wrecks.
More about the Ghost Fleet of Mallows Bay.</description>
		
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		<title>Outgrown</title>
				
		<link>https://mollyebendell.com/Outgrown</link>

		<pubDate>Fri, 29 Oct 2021 19:40:21 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Outgrown</guid>

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Outgrown. 2021 - 2022. Augmented reality application, edge-lit acrylic engraving.</description>
		
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		<title>Wander/Wonder</title>
				
		<link>https://mollyebendell.com/Wander-Wonder</link>

		<pubDate>Tue, 16 Jan 2018 22:37:42 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Wander-Wonder</guid>

		<description>&#60;img width="2854" height="1736" width_o="2854" height_o="1736" data-src="https://freight.cargo.site/t/original/i/4764f3e6b0d5634fda7227b36d3d9bb537ebaeeb9448c0e620e619d3e3c9ef8b/banyans3.png" data-mid="9451952" border="0"  src="https://freight.cargo.site/w/1000/i/4764f3e6b0d5634fda7227b36d3d9bb537ebaeeb9448c0e620e619d3e3c9ef8b/banyans3.png" /&#62;
&#60;img width="1469" height="919" width_o="1469" height_o="919" data-src="https://freight.cargo.site/t/original/i/a4d51dd492fc7737343671ad5936ef4895114b860a03a600d6e4c6011ce47b43/WANDER-WONDER9.jpg" data-mid="17955497" border="0"  src="https://freight.cargo.site/w/1000/i/a4d51dd492fc7737343671ad5936ef4895114b860a03a600d6e4c6011ce47b43/WANDER-WONDER9.jpg" /&#62;
&#60;img width="1853" height="839" width_o="1853" height_o="839" data-src="https://freight.cargo.site/t/original/i/4053263245a1825595eb126ac3d66cb47f800bf5029b472d38670ceb6ef67077/Screenshot-21.png" data-mid="11747769" border="0"  src="https://freight.cargo.site/w/1000/i/4053263245a1825595eb126ac3d66cb47f800bf5029b472d38670ceb6ef67077/Screenshot-21.png" /&#62;
&#60;img width="1655" height="864" width_o="1655" height_o="864" data-src="https://freight.cargo.site/t/original/i/18c0fd421c47473f3e77193279e4d08ef1a774ce95500b1cceb189a88affa78d/-17-55-12.jpg" data-mid="17955561" border="0"  src="https://freight.cargo.site/w/1000/i/18c0fd421c47473f3e77193279e4d08ef1a774ce95500b1cceb189a88affa78d/-17-55-12.jpg" /&#62;



&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d29c789fd9014ed976a618f9274ee073639e70f312cb1ebbb8fd52548bbf4211/Bendell_Mollye_Wander-Wonder_5.JPG" data-mid="14742518" border="0"  src="https://freight.cargo.site/w/1000/i/d29c789fd9014ed976a618f9274ee073639e70f312cb1ebbb8fd52548bbf4211/Bendell_Mollye_Wander-Wonder_5.JPG" /&#62;
&#60;img width="2457" height="2448" width_o="2457" height_o="2448" data-src="https://freight.cargo.site/t/original/i/453b5658006308a8e9135252268aaa62f31b97ff9eae0607d83eda000615ef74/Bendell_Mollye_Wander-Wonder_4.JPG" data-mid="14742519" border="0"  src="https://freight.cargo.site/w/1000/i/453b5658006308a8e9135252268aaa62f31b97ff9eae0607d83eda000615ef74/Bendell_Mollye_Wander-Wonder_4.JPG" /&#62;




&#60;img width="744" height="842" width_o="744" height_o="842" data-src="https://freight.cargo.site/t/original/i/2599d449bfd2b0153118c678a26979cc89d614038db6032a7adabef9a34a002a/-03-38-29.png" data-mid="17024956" border="0"  src="https://freight.cargo.site/w/744/i/2599d449bfd2b0153118c678a26979cc89d614038db6032a7adabef9a34a002a/-03-38-29.png" /&#62;
&#60;img width="1920" height="819" width_o="1920" height_o="819" data-src="https://freight.cargo.site/t/original/i/ff791d9d410d20c1c145051e37ec7132a4b7cfa4a6d3c8ce87917f5c07aedc2a/WANDER-WONDER15.jpg" data-mid="17955320" border="0"  src="https://freight.cargo.site/w/1000/i/ff791d9d410d20c1c145051e37ec7132a4b7cfa4a6d3c8ce87917f5c07aedc2a/WANDER-WONDER15.jpg" /&#62;
&#60;img width="1872" height="869" width_o="1872" height_o="869" data-src="https://freight.cargo.site/t/original/i/be6310330595c7217783e84410e07850ae11efeb686d67b74c15cb7b9194151b/-05-53-23.png" data-mid="17024490" border="0"  src="https://freight.cargo.site/w/1000/i/be6310330595c7217783e84410e07850ae11efeb686d67b74c15cb7b9194151b/-05-53-23.png" /&#62;
&#60;img width="1847" height="864" width_o="1847" height_o="864" data-src="https://freight.cargo.site/t/original/i/561ab51646baf46c7c99f7bb68bc6fe14fe4c85f67949572066aa1aefce95599/-05-52-36.png" data-mid="17025249" border="0"  src="https://freight.cargo.site/w/1000/i/561ab51646baf46c7c99f7bb68bc6fe14fe4c85f67949572066aa1aefce95599/-05-52-36.png" /&#62;





Wander/Wonder consists of two separate but connected experiences: Wander, a walkable virtual street map of Baltimore City with all buildings removed except for psychic reader storefronts, and Wonder, a zero-gravity digital astral plane experienced as a virtual reality (VR) environment. 
As an interactant flies through the Wonder side via VR headset, the Wander side is projected on screen for spectators to view. The interactant uses a crystal ball to navigate both environments simultaneously - guiding the experiences of spectators in Wander while fully immersed in the VR environment of Wonder. 




</description>
		
	</item>
		
		
	<item>
		<title>COMMIT!</title>
				
		<link>https://mollyebendell.com/COMMIT</link>

		<pubDate>Fri, 15 Mar 2024 17:38:01 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/COMMIT</guid>

		<description>&#60;img width="4725" height="3150" width_o="4725" height_o="3150" data-src="https://freight.cargo.site/t/original/i/f3d86ff053a4f4dd7b71bbbb04974a6f87aa58927cb2fab15e8eabf9b26fb685/COMMIT_0419_w_o.jpg" data-mid="206874125" border="0"  src="https://freight.cargo.site/w/1000/i/f3d86ff053a4f4dd7b71bbbb04974a6f87aa58927cb2fab15e8eabf9b26fb685/COMMIT_0419_w_o.jpg" /&#62;COMMIT! is an interactive performance in which a performer falls repeatedly, throwing herself on the ground trying to execute the most “committed” fall that she possibly can.

During the show, she attempts to measure “commitment” through audience feedback, motion capture, and biomechanical sensing. The performance juxtaposes the performer’s unrelenting falling, real-time audience feedback on her “commitment,” and projected visuals of the data she collects during the show. Together, these elements reveal the expectations raised and enforced by surveillance technologies and gamified interaction systems, and confront viewers with the physical and emotional toll of trying to conform.
This project was created by Kate Ladenheim in collaboration with myself and Timothy Ross Kelly. The project received support from the Media Design Practices Postgraduate Fellowship at ArtCenter College of Design, the Barnard Movement Lab, the Maya Brin Institute for New Performance, and the MAXmachina Lab grant. 

Photography by: Jill Steinberg. Produced by Media Art Xploration.&#38;nbsp;
More about COMMIT!</description>
		
	</item>
		
		
	<item>
		<title>Unrested</title>
				
		<link>https://mollyebendell.com/Unrested</link>

		<pubDate>Fri, 15 Mar 2024 18:11:47 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Unrested</guid>

		<description>&#60;img width="3600" height="2046" width_o="3600" height_o="2046" data-src="https://freight.cargo.site/t/original/i/29ee3d8671bd94c77e51db2b7913ef8165b2134a613ff3c3f2f5876043a82d74/01_Unrested.jpg" data-mid="206879971" border="0"  src="https://freight.cargo.site/w/1000/i/29ee3d8671bd94c77e51db2b7913ef8165b2134a613ff3c3f2f5876043a82d74/01_Unrested.jpg" /&#62;
&#60;img width="2400" height="1267" width_o="2400" height_o="1267" data-src="https://freight.cargo.site/t/original/i/69fa071faed4b81de15799417a6a3e08202b574b7b27410ed8b81d1f2d80eacd/02_Unrested.jpg" data-mid="206879972" border="0"  src="https://freight.cargo.site/w/1000/i/69fa071faed4b81de15799417a6a3e08202b574b7b27410ed8b81d1f2d80eacd/02_Unrested.jpg" /&#62;
&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/81d1099003e5075b7bb48fa17becdd303918436483b1b94092ccfadf452bb922/03_Unrested.jpg" data-mid="206879975" border="0"  src="https://freight.cargo.site/w/1000/i/81d1099003e5075b7bb48fa17becdd303918436483b1b94092ccfadf452bb922/03_Unrested.jpg" /&#62;

&#60;img width="2400" height="1516" width_o="2400" height_o="1516" data-src="https://freight.cargo.site/t/original/i/1df09b3c3057ee7b56e5fcfa03bcead211b764f4326b7774787a1d42dfade993/04_Unrested.jpg" data-mid="206879976" border="0"  src="https://freight.cargo.site/w/1000/i/1df09b3c3057ee7b56e5fcfa03bcead211b764f4326b7774787a1d42dfade993/04_Unrested.jpg" /&#62;
&#60;img width="2400" height="1254" width_o="2400" height_o="1254" data-src="https://freight.cargo.site/t/original/i/b6587fdaa7dc38cd63c96aac00e0786aa7e22f7ce945d5b6bfc13d6e80291883/05_Unrested.jpg" data-mid="206879977" border="0"  src="https://freight.cargo.site/w/1000/i/b6587fdaa7dc38cd63c96aac00e0786aa7e22f7ce945d5b6bfc13d6e80291883/05_Unrested.jpg" /&#62;
&#60;img width="3000" height="1582" width_o="3000" height_o="1582" data-src="https://freight.cargo.site/t/original/i/aaf004c2d2b9725fbb5e2aab24e3b71bf0b8dd4ec9e892e5b5628545e4aa82f4/06_Unrested.jpg" data-mid="206879978" border="0"  src="https://freight.cargo.site/w/1000/i/aaf004c2d2b9725fbb5e2aab24e3b71bf0b8dd4ec9e892e5b5628545e4aa82f4/06_Unrested.jpg" /&#62;
&#60;img width="3000" height="1582" width_o="3000" height_o="1582" data-src="https://freight.cargo.site/t/original/i/871742eb88980dd7a062171f07afb2f02f28881101142202a872a777ec34a6d9/07_Unrested.jpg" data-mid="206879979" border="0"  src="https://freight.cargo.site/w/1000/i/871742eb88980dd7a062171f07afb2f02f28881101142202a872a777ec34a6d9/07_Unrested.jpg" /&#62;
&#60;img width="3000" height="1582" width_o="3000" height_o="1582" data-src="https://freight.cargo.site/t/original/i/704173833b213b79d2500f527f998eda606ebb0ad7cee6b1e2f9145fcc8945b3/08_Unrested.jpg" data-mid="206879980" border="0"  src="https://freight.cargo.site/w/1000/i/704173833b213b79d2500f527f998eda606ebb0ad7cee6b1e2f9145fcc8945b3/08_Unrested.jpg" /&#62;
&#60;img width="3000" height="1582" width_o="3000" height_o="1582" data-src="https://freight.cargo.site/t/original/i/34c53406dbf11405ec985bfa05275073c60883987de4a2fffc1f122ede65cf86/09_Unrested.jpg" data-mid="206879981" border="0"  src="https://freight.cargo.site/w/1000/i/34c53406dbf11405ec985bfa05275073c60883987de4a2fffc1f122ede65cf86/09_Unrested.jpg" /&#62;
&#60;img width="2818" height="2655" width_o="2818" height_o="2655" data-src="https://freight.cargo.site/t/original/i/79b53887356cfcb59f47e617189295f20962f4f92b5b050fe24408dba695b266/10_Unrested.jpeg" data-mid="206879983" border="0"  src="https://freight.cargo.site/w/1000/i/79b53887356cfcb59f47e617189295f20962f4f92b5b050fe24408dba695b266/10_Unrested.jpeg" /&#62;
&#60;img width="2700" height="1225" width_o="2700" height_o="1225" data-src="https://freight.cargo.site/t/original/i/77539cd06ded5a88228cdec35389689752afe9dec647b2e215cb9c1bc76b27e8/13_Unrested.jpg" data-mid="206879986" border="0"  src="https://freight.cargo.site/w/1000/i/77539cd06ded5a88228cdec35389689752afe9dec647b2e215cb9c1bc76b27e8/13_Unrested.jpg" /&#62;

&#60;img width="3000" height="1706" width_o="3000" height_o="1706" data-src="https://freight.cargo.site/t/original/i/03773fd2d3be7032720c27cc4df0ea5b2bec67be8cb3381ae8b2148202198181/11_Unrested.jpg" data-mid="206879984" border="0"  src="https://freight.cargo.site/w/1000/i/03773fd2d3be7032720c27cc4df0ea5b2bec67be8cb3381ae8b2148202198181/11_Unrested.jpg" /&#62;&#60;img width="3000" height="1582" width_o="3000" height_o="1582" data-src="https://freight.cargo.site/t/original/i/904f78d8a656ed54e7d56c84c85f83ad3d043f7eddaf61fa1b68e0abc58ae930/12_Unrested.jpg" data-mid="206879985" border="0"  src="https://freight.cargo.site/w/1000/i/904f78d8a656ed54e7d56c84c85f83ad3d043f7eddaf61fa1b68e0abc58ae930/12_Unrested.jpg" /&#62;In this exhibition at the Julio Fine Arts Gallery, strikeWare Collective invites the Baltimore community to examine the complex history of Jesuit slaveholding and its ongoing impact on Maryland communities, including those related to Loyola University.  Unrested recognizes the 272 individuals sold by the Jesuits, reinterprets literature and visuals specific to Loyola University, and draws upon historical records to find parallels to current day trends.  The exhibition employs new media technologies, extended reality artworks, and interactive displays in an aestheticized exploration of the ongoing archival research pursued by students and faculty of Loyola University.
  
Unrested holds a mirror to an unresolved past. The exhibition overlaps material, message, and form to present how social institutions have affected several generations. We encourage the community to join us, immersing themselves in the extended reality artworks, using devices to augment the material works displayed, or by being a part of the living sculptural installations.
</description>
		
	</item>
		
		
	<item>
		<title>Renovations</title>
				
		<link>https://mollyebendell.com/Renovations</link>

		<pubDate>Fri, 07 Feb 2020 07:58:14 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Renovations</guid>

		<description>Renovations



Working with the Peale Center to uncover its past life as the first public high school open to Black students in Baltimore, this exhibition evolved to examine how the history of education continues to shape the city in the present day. A collaborative effort with Christopher Kojzar and JLS Gangwisch in strikeWare Collective, I acted as conceptual and technical lead on these two pieces among others. 




&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b8c1e7ae2f57b7e93dfc32cf7ebeb97c3c2ce1b195823b39c75edb9abecc9bec/20200110_205110.jpg" data-mid="60462940" border="0"  src="https://freight.cargo.site/w/1000/i/b8c1e7ae2f57b7e93dfc32cf7ebeb97c3c2ce1b195823b39c75edb9abecc9bec/20200110_205110.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0fe1aa0be26fd4c4e1c15344eec0a4bf40b76b939df1bee2e9855d14b523af8d/20200110_183018.jpg" data-mid="60462934" border="0"  src="https://freight.cargo.site/w/1000/i/0fe1aa0be26fd4c4e1c15344eec0a4bf40b76b939df1bee2e9855d14b523af8d/20200110_183018.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b1c78d87efbf6868d5910c7b107f725d91412b60aece8387cd7674e89b7c4bcf/IMG_20200110_194801.jpg" data-mid="60463014" border="0"  src="https://freight.cargo.site/w/1000/i/b1c78d87efbf6868d5910c7b107f725d91412b60aece8387cd7674e89b7c4bcf/IMG_20200110_194801.jpg" /&#62;
The Nine Graduates
Gertrude Anderson ­— Nellie Anderson — Gertrude Deaver — Fannie McCabe — Mollie Taylor — Violet Thompson — William Murray — Walter Scott — Mamie Neale
Participants are invited to interact with this sculpture by dipping their fingers in chalk dust and gently rubbing the engraved text to expose it.
 In 1889, these nine students became the first African Americans to graduate public high school in Baltimore City. They went on to lead well-documented and often extraordinary lives, tracked here through articles in various newspapers, predominantly the Baltimore Afro-American.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ec6d75d2265e06930bdf880e787e64d702fe9004e79d4b85b73b52b1f2cd8601/2020-02-07-00_32_30-footage-from-1_31_20---Google-Drive.png" data-mid="60463380" border="0"  src="https://freight.cargo.site/w/1000/i/ec6d75d2265e06930bdf880e787e64d702fe9004e79d4b85b73b52b1f2cd8601/2020-02-07-00_32_30-footage-from-1_31_20---Google-Drive.png" /&#62;

85° - 60°Participants are invited to gently lay their hands on these two desks, heated and cooled to 85 and 60 degrees respectively. 
Many Baltimore City Public Schools still lack adequate HVAC. If the internal temperature of their school registers above 85° or below 60°, students will be dismissed for the day.
Full documentation of this exhibition: https://xxxxware.com/renovations


</description>
		
	</item>
		
		
	<item>
		<title>Whethervanes</title>
				
		<link>https://mollyebendell.com/Whethervanes</link>

		<pubDate>Fri, 31 May 2019 17:08:56 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Whethervanes</guid>

		<description>&#60;img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/215fe2516a95a27c4039bf1606d0c17302eb860f6ff258e285db9b2e36f88aad/PXL_20230511_195250853.jpg" data-mid="206866376" border="0"  src="https://freight.cargo.site/w/1000/i/215fe2516a95a27c4039bf1606d0c17302eb860f6ff258e285db9b2e36f88aad/PXL_20230511_195250853.jpg" /&#62;
&#60;img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7ab52648554d9e70245ab25a16d502f28c2cec9a414055daf750033cfb171b4e/PXL_20230511_195346806.jpg" data-mid="206866377" border="0"  src="https://freight.cargo.site/w/1000/i/7ab52648554d9e70245ab25a16d502f28c2cec9a414055daf750033cfb171b4e/PXL_20230511_195346806.jpg" /&#62;
&#60;img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3fe4f80ff56fcaa8b7ba0a44f12b2ed862065be22164e3fcc9c80b4ebb4c15ea/PXL_20230511_194120177.jpg" data-mid="206866374" border="0"  src="https://freight.cargo.site/w/1000/i/3fe4f80ff56fcaa8b7ba0a44f12b2ed862065be22164e3fcc9c80b4ebb4c15ea/PXL_20230511_194120177.jpg" /&#62;
&#60;img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f5e1759aa08a26e840b7c6bc216692dd10655e2e4b2550588db0a07539205c68/PXL_20230511_200402689.jpg" data-mid="206866379" border="0"  src="https://freight.cargo.site/w/1000/i/f5e1759aa08a26e840b7c6bc216692dd10655e2e4b2550588db0a07539205c68/PXL_20230511_200402689.jpg" /&#62;

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f2e9937cf7ee9bab8bed3e1dc87581c30154e022a57dbe88f70a8166bb052036/IMG_3663.JPG" data-mid="166954626" border="0"  src="https://freight.cargo.site/w/1000/i/f2e9937cf7ee9bab8bed3e1dc87581c30154e022a57dbe88f70a8166bb052036/IMG_3663.JPG" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/94fe18d16b237da768f82278360be803ed20af01c7eec22d5870af9855164057/IMG_3664.JPG" data-mid="166954628" border="0"  src="https://freight.cargo.site/w/1000/i/94fe18d16b237da768f82278360be803ed20af01c7eec22d5870af9855164057/IMG_3664.JPG" /&#62;


An ongoing series of sculptural crystal radios.&#38;nbsp;
The radios are sensitive to changes in their environment. Listeners are welcome to gently handle the pieces to change the sound.</description>
		
	</item>
		
		
	<item>
		<title>Sketch for Sleepers</title>
				
		<link>https://mollyebendell.com/Sketch-for-Sleepers</link>

		<pubDate>Wed, 24 Jun 2020 17:14:40 +0000</pubDate>

		<dc:creator>Mollye Bendell</dc:creator>

		<guid isPermaLink="true">https://mollyebendell.com/Sketch-for-Sleepers</guid>

		<description>
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bfff364df4d800722e48e05726195641bc6e2f4ca8c0dc353d8d7c8fa7215fac/2020-06-24-10_57_34-Greenshot.png" data-mid="75559963" border="0"  src="https://freight.cargo.site/w/1000/i/bfff364df4d800722e48e05726195641bc6e2f4ca8c0dc353d8d7c8fa7215fac/2020-06-24-10_57_34-Greenshot.png" /&#62;
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sketch for Sleepers

An attempt to preserve people through digital masks molded around images from video chats.&#38;nbsp; This piece was begun during quarantine around my fear that the last time I might see my loved ones would be on a video call. The footage is a recording of a simulation built in a realtime rendering engine.



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